This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion. The ‘festivalisation’ of culture, politics and space in cities is often regarded as problematic, but this book examines the positive and negative ways that festivals affect cities by examining festive spaces as contested spaces. The book focuses on Western European cities, a particularly interesting context given the social and cultural pressures associated with high levels of in-migration and concerns over the commercialisation and privatisation of public spaces. The key themes of this book are the quest for more inclusive urban spaces and the contested geographies of festival spaces and places. Festivals are often used by municipal authorities to break down symbolic barriers that restrict who uses public spaces and what those spaces are used for. However, the rise of commercial festivals and ticketed events means that they are also responsible for imposing physical and financial obstacles that reduce the accessibility of city parks, streets and squares. Alongside addressing the contested effects of urban festivals on the character and inclusivity of public spaces, the book addresses more general themes including the role of festivals in culture-led regeneration. Several chapters analyse festivals and events as economic development tools, and the book also covers contested representations of festival cities and the ways related images and stories are used in place marketing. A range of cases from Western Europe are used to explore these issues, including chapters on some of the world’s most significant and contested festival cities: Venice, Edinburgh, London and Barcelona. The book covers a wide range of festivals, including those dedicated to music and the arts, but also events celebrating particular histories, identities and pastimes. A series of fascinating cases are discussed - from the Venice Biennale and Dublin Festival of History, to Rotterdam’s music festivals and craft beer festivals in Manchester. The diverse and innovative qualities of the book are also evident in the range of urban spaces covered: obvious examples of public spaces – such as parks, streets, squares and piazzas – are addressed, but the book includes chapters on enclosed public spaces (e.g., libraries) and urban blue spaces (waterways) too. This reflects the interpretation of public spaces as socio-material entities: they are produced informally through their use (including for festivals and events), as well as through their formal design and management.
This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion.
This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion.
Following on the heels of their very successful Olympic Cities, in this book John and Margaret Gold turn to the experience of cities that stage regular cultural festivals, highlighting the nature and significance of performance, ritual and ...
Gibson, C. (ed.) (2012) Creativity in Peripheral Places: Redefining the Creative Industries. London: Routledge. Gibson, C. and Connell, J. (2011) Festival Places: Revitalising Rural Australia. Bristol: Channel View Publications.
Brown Bird's David Lamb and MorganEve Swain certainly hoped for the bump in prestige and attention in launching careers that the media sometimes calls the Newport Effect. Lamb lived in Maine and Seattle before meeting Swain on tour, ...
This is a multi-disciplinary scientific monograph referring to urban geography, urban regions management, event studies, tourism geography, cultural anthropology and sociology.
This book examines how festivals can be used as a lens to examine the relationship between city and citizen and questions whether this is fixed through time, or has been transformed as a response to changes in the modern urban condition.
Lindner, R. (2001) 'The construction of authenticity: the case of subcultures', in J. Liep, ed., Locating Cultural Creativity, London: Pluto Press, 81-89. Lisle, T. de (1998) '50 Eno Moments', The Sunday Review: Independent on Sunday, ...
Matheson, C.M. and Tinsley, R. (2016) The carnivalesque and event evolution: a study of the Beltane Fire Festival. Leisure Studies, 35, pp. 1–27. ... Milliet-Moudon, C. (1986) Cannes 1835–1914: villegiature, urbanisation, architectures.
Schlussbericht,St. Gallen: Universität St.Gallen, Institut füröffentliche Dienstleistungen und Tourismus. Schmeer, K.&Bethesda, M. D.Guidelines for conducting a stakeholder analysis. November1999. Partnerships for HealthReform ...