"Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece that tries to make sense of the madness that overtook South Africa during apartheid.
"Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece that tries to make sense of the madness that overtook South Africa during apartheid.
This volume deals with the manifold ways in which histories are debated and indeed historicity and historiography themselves are interrogated via the narrative modes of the truth commissions.
I am updating Harvey's list somewhat: the commercial Internet and cellular phone networks did not exist in 1990 when Harvey published The Condition of Postmodernity. But the development of such technologies has only heightened and ...
Most postmodernist trauma-based texts, such as Lunar Park, are still structured around the traumatic notion of repetition. What exactly, then, is being repeated in a postmodernist narrative such as Lunar Park? As noted, it is always the ...
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Improvising Reconciliation is prompted by South Africa’s enduring state of injustice.
This book examines South Africa’s post-apartheid culture through the lens of affect theory in order to argue that the socio-political project of the “new” South Africa, best exemplified in their Truth and Reconciliation Commission ...
Journeys 3 : End of Time Jo Ractliffe's End of Time ( 1999 ) is a work conceived and partly located on a stretch of highway near Nieu - Bethesda in South Africa's Great Karoo ( fig . 9 ) . When first presented , it took the form of ...
more understated terms than the narrative of S: 'I am glad for us, for things to work out for the better'. ... First, it becomes clear that there are several narratives of betrayal relating to W. F, another BMW member, for example, ...
The work of the post-medium condition—conceptual art, installation, and relational aesthetics—advances the idea that the “white cube” of the museum or gallery wall is over.
In 2010, and again in 2013, he staged Dmitri Shostakovich’s The Nose at the Metropolitan Opera; after the premiere, the New York Times noted that “Kentridge, who directed this production, helped design the sets and created the videos ...