Why does language move some of us to anxiety or even rage? For centuries, sticklers have donned the cloak of authority to control how people use words. In this sensational new book, Robert Lane Greene strikes back to defend the fascinating, real-life diversity of this most basic human faculty. Along the way, he corrects Bill Bryson’s “facts” about words, challenges the rhetoric of Lynne Truss’s bestselling Eats, Shoots & Leaves, and explains why speech is a lot like jazz. Travel with Greene on a rollicking world tour that shows the role language beliefs play in shaping our identities, for good and ill. From the Tower of Babel to Atatürk’s banning of Arabic script, he charts how language “experts” moved from myth-making to rule-making and from building cohesive communities to building modern nations. This enthralling book reveals that our arguments about language may relate to something else entirely, and illuminates the rewards of being flexible with our words. You Are What You Speak will certainly get people talking. ‘This is a masterly survey of language ... erudite and witty.’ —Julian Burnside ‘An erudite and provocative argument.’ —The Age Robert Lane Greene is an international correspondent for the Economist, and a former columnist for the New Republic. His writing has appeared in the New York Times, on Slate, and in other publications. He speaks nine languages and is a term member of the Council on Foreign Relations.
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).