"Cape Town’s public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the ‘research tools’ one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive ‘mother city’. Various of its constituent parts sound different from each other ... [T]here is the sound of the singing men and their choirs (“teams” they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. [...] There are texts of the hallowed ‘Dutch songs’ but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago – back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city." — Shamil Jeppie, Associate Professor, Department of Historical Studies, University of Cape Town
Leaders of the French right today confess their inclination for Johnny Halliday, a pioneer of rock in France, now in his sixties. Yet rock, in some ofits variants, has retained a limited ability to mark a distance ...
South African Music Encyclopedia
Having killed a gang leader with his bare fists, he subsequently murdered his girlfriend in a fit of jealous rage and was sentenced to twelve ... He discussed the idea with Ian who suggested Todd Matshikiza as a possible composer.
This book offers an important foundation for students pursuing a broader education than what a typical degree provides, and a must-read resource for every citizen concerned about the lingering effects of race and racism in South Africa and ...
History of Contemporary Music of South Africa
Disruptive divas:feminism, identity &popular music. New York: Routledge, pp. 31–61. Bynum, C. W. 1984. Women's stories, women's symbols: A critique of Victor Turner's theory of limination. In R Moore and F Reynolds (eds.) ...
The author's pioneering social history of black South Africa's urban music, dance, and theatre established itself as a classic soon after its publication in 1985. As the first substantial history...
Isaac Stern and Sergw Celbtdache. ... 1972-75: Muse Director, New York Chamber Symphony, 1Э77-; Music Director. ... and Juilliard School, 1996-; Conductor of the Year, Musical Amerca International Directory of Performing Arts, 1994.
... Musical Instruments of the Native Races of South Africa. London: Oxford University Press. Kirby, P. 1936. The Musical Practices of the /?Auni and ≠Khomani Bushmen. Bantu Studies 10(2), 373432. Kirby, P. 1967. Wits End. Cape Town ...