The Bauhaus and its influences are to be found throughout twentieth-century art and design; the architecture of Walter Gropius and Mies van der Rohe and the art of Paul Klee and Wassily Kandinsky being among the most widely recognized instances. Perhaps the most poignant example of this influence, however, may be understood through the life of a little-known student of the Bauhaus who entered its first class in 1919 -- Friedl Dicker, whom Gropius described as "a distinguished, rare talent ... The multidimensional nature of her talent and her indomitable energy received the highest esteem ..".
Friedl Dicker was a prolific and multitalented artist, producing work in theater, architecture, textiles, graphic design, drawing, painting, and sculpture. In 1926, in Vienna, she founded Atelier singer-Dicker with a classmate Franz Singer. In 1934 she was arrested by the Gestapo for anti-Fascist activities and fled to Prague, where she taught art classes for Jewish refugees. In 1942 she was sent to the Theresienstadt Ghetto, where she secretly taught art to the children there, gifting them with tools for the expression of their fears of the hunger, disease and death in their midst. Dicker-Brandeis (she had married in 1936) and thirty of her students perished in the gas chambers of Auschwitz in 1944.
Art, Music and Education as Strategies for Survival collects for the first time in one volume the children's art of Theresienstadt, unpublished paintings of Friedl Dicker-Brandeis, and historical photographs, as well as three essays of interest to historians, art educators/therapists, and Holocaust scholars -- providing an important new interdisciplinary approach to exploring the power of art toteach, express, commemorate, and -- perhaps most importantly -- heal.
Com— poser Allan Pettersson's Seventh Symphony was chosen as a point ofdeparture for the choreography, a choice that also was discussed in the media, focus— ing on Cullberg turning to music rather than to literature and drama as the ...
This book explores how Jewish architects and patrons influenced and reformed the design of towns and cities through commercial buildings, urban landscaping and other material culture.
In Bremen, where Carl Katz and his Gestapo counterpart were on a first-name basis and drank together, Katz was eventually deported.136 When the large fall deportations started, some SS men tried to keep “their” Jews off the lists.
Psychotherapy and existentialism: Selected papers on logotherapy. ... Personality and Social Psychology Review, 18, 153–167. ... Clarifying and furthering existential psychotherapy: Theories, methods, and practices.
These interdisciplinary essays in dance scholarship consider a broad range of dance forms in relation to historical, ethnographic, and interdisciplinary research methods including cultural studies, reconstruction, media studies, and popular ...
In D. E. Gussak & M. L. Rosal (Eds.), The Wiley Handbook of Art Therapy (pp. 90–98). ... Art Therapy: Journal of the American Art Therapy Association,14(2) 89–94. ... An art therapist's view of mass murders, violence and mental illness ...
At that very moment, a woman grabs him and kisses him. More outraged than before by “the masses in delirium howling La Madelon”,17 he decides to get a taste of what he considers to be his own part of the victory.
A professional artist and motivational speaker offers artists who have chosen the professional path advice, encouragement, and some hard truths. (Careers/ Jobs)
Belomor complicates our understanding of the Gulag by looking at both prisoner motivation and official response from multiple angles, thereby offering a more expansive vision of the labor camp and its connection to Stalinism.
... Art in the Terezín Concentration Camp.” New England Reviewvol.17, no. 4, Fall, 1995: 104-111. Milton, Sybil. “Art in the Context of Theresienstadt.” Art, Music, and Education as Strategies for Survival: Theresienstadt 1941-45, edited by ...