The autobiography of Robert Evans, producer of 'The Godfather', 'Rosemary's Baby' and 'Love Story', and whose life story reads like a decadent, insider's Who's Who of Hollywood.
Always attired in jeans and a T-shirt, he seemed comfortable as the handsome, but dim kid who'd made a name for himself in Rawhide. He enjoyed having a beer and talking ... Montgomery Clift and James Dean had already selfdestructed.
From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy ...
This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in ...
"A sequel better than any[one] could have anticipated . . . even readers who've never heard of Evans will find this to be both entertaining and inspiring." —Publishers Weekly (starred review) In this innovative digital edition, legendary ...
Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history.
Above all, it is the story of a father and a son, and the turbulent relationship that was an unending cycle of heartbreak. Hollywood Animal is an enthralling, provocative memoir: a moving celebration of the human spirit.
He'd sit there and basically try to bribe me, said if I helped him with his project, he'd get me pussy. ... He had a good thing going with Ladd, who would have backed one of Airman's laundry stubs so long as the director kept the budget ...
By the author of The Big Orange Splot, The Neddiad, and Adventures of a Cat-Whiskered Girl Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news.
He had spent so much time on Hook that Warren Beatty and Barry Levinson were becoming increasingly irate as they toiled on Bugsy. Each had an outsized ego and they worried that they weren't getting enough attention from the studio.