Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders? Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity.
Hong Kong Connection
Living in Hong Kong
The Hong Kong Connection
Hong Kong, French Connections: From the 19th Century to the Present Day
This is apparent in the cultural productions of the last decade of the twentieth century, as depicted in films such as Peter Chan Ho-Sun's Comrades, Almost a Love Story or theorized in the academic writing of Ackbar Abbas's Culture and ...
In 1976, a fire swept Oi Dit Chui Wan (Aldrich Bay), a boat and squatter area, forcing 99 Toward the Twenty-First Century 100 Global Hong Kong residents into public housing. Today, landfills.
Miao was regarded as either somebody who is responsible for producing comic effect (Zan), or a perfect foil who serves to make the male hero Fong stand out (Xie, Li M., Chen Q., Wang P.). Jia detected the 'exploitation of women' in the ...
See The Encyclopedia of Martial Arts Movies. 4 As Teo remarks, Wang Yu becomes “the eternal swashbuckler calling all warriors to arms.” 5 He was charged with murder in Taiwan during 1981 but released due to lack of evidence.
See, for example, Rist, 'Scenes of “in-Action” and Noir Characteristics in the Films of Johnnie To (Kei-Fung)', pp. ... for French-inflected noir (for example, Jean-Pierre Melville) is also noted in Ingham, Johnnie To Kei-Fung's PTU.
The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema.