Jon Beacham and his publishing imprint The Brother in Elysium is one of the hardy few that are reinvigorating fine printing in twenty-first century America. The Brother in Elysium publishes meticulous and beautiful publications that seamlessly join poetry with the aesthetic of early American architecture and landscape, and thoughtfully chosen materials. The publications have a balanced and clear understanding of form, focusing on space, typographical choices and the placement of type on the page. Beacham acquired a printing press in January of 2008 while operating Hermitage, his bookstore and gallery in Beacon, NY. As he added letterpress printing to his methodology, his precise and melancholy collage work opened up into the ongoing creation of books, multiples and ephemera as components of a grand unfolding American narrative. The American landscape is at the core of Beacham's work, alongside the documentation of place and experience through the use of film. Found and selected materials are also integral to Beacham's process of collage. Spanning the years 2008-2013, this full-color catalogue explores the model of the artist/printer/publisher as an ongoing tradition in postwar American art and literature, and brings together collage work, letterpress-printed ephemera, 16mm film stills and mixed media pieces. Limited edition of 500 copies.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...