Widely regarded as one of the most influential artists working today, Richard Serra is known in particular for his large steel sculptural forms, which deal primarily with investigations of weight, balance, density, and scale, as well as their effect on the viewer and his/her sense of space. Serra’s relentless pursuit of these questions over the course of his celebrated career has deepened our understanding of the effects of sculpture on space and perception, and broadened the scope of what we allow the genre to address. Published on the occasion of Serra’s exhibition Equal at David Zwirner, New York⎯called one of “the year’s best shows” by The New York Times—this catalogue is the first in-depth overview of the artist’s works in forged steel. While he had already become known for his works in vulcanized rubber, lead, and steel, Serra first began using forged steel after encountering a large-scale forge at a steel mill in Germany in 1977. Unlike casting, wherein steel is heated until molten and poured into a mold, forging is the process of changing metal’s shape while in a solid state, through extreme heat and pressure. Serra’s first forged sculpture was Berlin Block (For Charlie Chaplin) (1977), installed outside of the Mies van der Rohe–designed Neue Nationalgalerie in Berlin. Since then, he has continued to use this material in different configurations and formats to create works that use forged blocks, rounds, or lintels. Designed by McCall Associates in close collaboration with the artist, Richard Serra: Forged Steel presents a survey of Serra’s forged sculpture since 1977, featuring new scholarship by Richard Shiff and two texts by Serra, along with dramatic photographs of the forging process. Bringing together over sixty detailed plates of forged sculptures, this unique publication not only introduces readers to an important aspect of Serra’s work, but uses these works to return to the eternal questions of weight, balance, and perception in his practice.
... Haas Donald B. Marron Jerry I. Speyer Vice Chairmen Michael Lynne Wynton Marsalis ** Harvey S. Shipley Miller Philip S. Niarchos James G. Niven Peter Norton Maja Oeri Richard E. Oldenburg ** Michael S. Ovitz Richard D. Parsons Peter ...
Richard Serra, Drawing: A Retrospective : [exhibition, Metropolitan Museum of Art, Apr. 13-Aug. 28, 2011 ; San Francisco Museum of...
Essays by Hal Foster and Carmen Gim nez.
La obra de Richard Serra se basa en el uso de formas geométricas abstractas y se encuadra en el genérico posminimalismo desarrollado desde fines de los años sesenta.
Richard Serra's "reversal" drawings employ two identical rectangular sheets of paper that are adjoined in a vertical or horizontal format, with the black-and-white areas reversing themselves proportionally top to bottom (or left to right).
The Centers for Disease Control and Prevention have identified youth violence as a major public health problem. What impact does exposure to violence--be it in the form of victimization, observation,...
The work Forged Drawing, which was recently reworked especially for the Kunsthaus Bregenz, as well as the work series Weight and Measure, Rounds, and out-of-rounds all combine to convey the independent power and artistic significance of ...
Richard Serra. English
The bibliophile volume focuses on Serra's early works, the so-called? Props? Or? Prop pieces ?, as well as cinematic works from the late 1960s and early 1970s. Exhibition: Museum Wiesbaden, Germany (17.03.-18.06.2017).
This major publication catalogues all of Richard Serra's sculpture of the last thirteen years, presenting extensive photographic documentation of his site-specific sculpture, as well as an important critical text and...