Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at times, humorous paintings that quietly engaged with political and social issues. In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them; “what fascinated her was the breadth of humanity that she encountered,” Als writes. The publication, which opens with a foreword by Jeremy Lewison, advisor to The Estate of Alice Neel, explores Neel’s interest in the diversity of uptown New York and the variety of people amongst whom she lived. This group of portraits includes well-known figures such as playwright, actress, and author Alice Childress; the sociologist Horace R. Cayton, Jr.; the community activist Mercedes Arroyo; and the widely published academic Harold Cruse; alongside more anonymous individuals of a nurse, a ballet dancer, a taxi driver, a businessman, and a local kid who ran errands for Neel. In short and illuminating texts on specific works written in his characteristic narrative style, Als writes about the history of each sitter and offers insights into Neel and her work, while adding his own perspective. A contemporary and personal approach to the artist’s oeuvre, Als’s project is “an attempt to honor not only what Neel saw, but the generosity of her seeing.” This catalogue is published on the occasion of the 2017 exhibitions of Neel’s paintings and drawings at David Zwirner, New York, and Victoria Miro, London.
A vibrant chronicle of the life and work of a prolific painter and bohemian eccentric.
Alice Neel's remarkable drawings are intimate explorations of her personal life: her loves and her family, her friends, people she met in New York and the art world. Spontaneous and...
Featuring around seventy paintings spanning the entire length of her career, this handsome book accompanies a major retrospective of her work, and reveals her underlying interest in the history of photography, German painting of the 1920s, ...
Spanning nearly seven decades, a comprehensive consideration of the psychologically acute and surprisingly honest portraits of Alice Neel Widely regarded as one of the most important American painters of...
Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, ...
The story of a notorious New York eccentric and the journalist who chronicled his life: “A little masterpiece of observation and storytelling” (Ian McEwan).
Joe Overstreet's New Aunt Jemima (1964) reinterpreted the comforting caricature, keeping her smile and decorative bandanna but placing a machine gun in her hands that she sprayed out from the canvas. In Time, Robert Hughes wrote, ...
Following the artist from her first works in the 1920s to her final evocative self-portrait, made shortly before her death, this is the defining treatise on Alice Neel.
Published on the occasion of a solo exhibition at David Zwirner, New York, this beautifully designed book presents a selection of portraits and still lifes from the last two decades of the artist's life.
It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race ...