The definitive behind-the-scenes history of one of Hollywood’s most closely guarded cinematic secrets finally revealed—painted backdrops and the scenic artists who brought them to the big screen. In almost every feature film of Hollywood’s golden age, from The Wizard of Oz to North by Northwest to Cleopatra to The Sound of Music, painted backings have convinced moviegoers that what they are seeing—whether the fantastic roads of Oz, the presidents of Mount Rushmore, or ancient Egyptian kingdoms—is absolutely real. These backings are at once intended to transport the audience and yet remain unseen for what they really are. The Art of the Hollywood Backdrop reveals the hidden world and creators of these masterpieces, long-guarded as a special effects secret by the major studios such as MGM, Warner Brothers, Universal, Columbia, 20th Century Fox, and Paramount. Despite the continued use of hand-painted backings in today’s films, including the big-budget Interstellar and Lemony Snicket’s A Series of Unfortunate Events among many others, digital technology is beginning to supplant the art form. In an effort to preserve the irreplaceable knowledge of scenic masters, Karen Maness and Richard Isackes have compiled a definitive history of the craft, complete with interviews of the surviving artists. This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Yellow Future: Oriental Style in Hollywood Cinema
... as at least one academic has claimed, that the interview dates from 1948; it took place much later. Rob Wagner, “Supes and Supermen,” p. 16. Donald Bogle, Bright Boulevards, Bold Dreams: The Story of Black Hollywood, p. 63.
Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career.
The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and ...
“President to Open Atom Site Today,” NewYorkTimes, 6 September 1954, p.26; William G.Weart, “President Starts Atom Plant Work,” New York ... Pryor, “David O.Selznick Discusses His TV Debut,” New York Times, 24October1954, sec.10, p.13.
Post-War Hollywood Cinema is an accessible and comprehensive history of the American film industry, from 1946 to 1962. Drew Casper chronicles the restructuring of Hollywood cinema against the backdrop of...
Aside from the film in question, the notorious hanging judge of Vinegaroon features in two other movies of note: The Westerner, where the judge, played by Walter Brennan, matches wits with Gary Cooper, and A Time for Dying (Budd ...
C. Kalinga, “The Responsibility of Memorializing Sex, the Dying and the Dead in HIV/AIDS Drama: Larry Kramer's The Normal Heart and William Hoffman's As Is,” STET: An Online Postgraduate Research Journal 4 (May 2014): 1–26. 3.
From Double Indemnity (1944) to The Godfather (1972), the stories behind some of the greatest films ever made pale beside the story of the studio that made them.
... any family in the world, I would have picked you. Thank you to Brady Potts for a message written in Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Acknowledgments About the Author.