Creeps surround us, seemingly everywhere. People creep up on each other both on the streets and online, with digital technologies vectoring a lot of cyber-stalking. It¿s so easy to spy on people that ¿creep catching¿ has even become a form of news entertainment in shows such as ¿To Catch a Predator.¿ But what defines a creep is so broad that nearly anyone can be a creep at times. Many of us wonder if we ourselves have been creepy, or if perhaps we engage in behavior that, if others knew, would easily earn us the title ¿creep.¿ Even Donald Trump, during the raucous 2016 campaign, was called a ¿creep¿ on several occasions by various news media.Indeed, for many of us, the specter of the creep is not just threatening, but exciting ¿ exciting perhaps in the possibility of threat. Yes, we get creeped out. But we are also fascinated by creeps, perhaps in part because we all sense the potential inside ourselves for creepy behavior.In this provocative and engaging new book, Jonathan Alexander interweaves personal narrative and cultural analyses to explore what it means to be a creep. Calling this work a critical memoir, he draws on his own experiences growing up gay in the deep south, while also interrogating examples from literature and popular film and media, to approach the figure of the creep with some sympathy. Ranging widely over contemporary culture, especially the ever-creeping presence of nearly ubiquitous surveillance, Alexander confesses his own creepiness while also explaining to us what being creepy can show us in turn about our culture. He also resurrects some famous ¿creeps¿ from the past, such as J.R. Ackerley, to explore what makes a creep creepy, and how even the best of us succumb at times to being creeps. Ultimately, Alexander argues, a study of creepiness might offer us critical insight into the fundamental perversity of how we live. Creep: A Life, A Theory, an Apology is a timely meditation for our strange and creepy times.
Dr. Sheila Tao is a professor of psychology, an expert in human behavior with her own hidden past.
The haunting tale of a family that moves into a house... and finds that someone -- or something -- does NOT want them there.
Follows a Seattle serial murder investigation centering on Abby Locke, who has been imprisoned for the attempted killing of a police officer and who has captured the attention of a violent fan obsessed with proving her innocence.
This is a document of the creative process and a mirror to the fears, portents and fantasies invoked by the world as its citizens faced a brave new millennium.
Who’s behind the Frankenfrog attacks? The Creeps will track down the answers! In this new creepy graphic novel series, Chris Schweizer’s art is full of the visual excitement that only the best graphic novel creators can pull off.
Sellars, C.M. and Petkovic-Luton, R. (1980) Mater. Sci. and Eng., 46, 75. ... Srolovitz, D., Luton, M.J., Petkovic-Luton, R., Barnett, D.M. and Nix, W.D. (1984) Acta Metall., 32, 1079. Behr, R., Mayer, J. and Arzt, ...
She calls it "the creep"--an overpowering need to improve the story in the telling. And she has a particular genius for getting away with it.
“Hi, Lee-lee,” Kresha said. Her voiced sounded sad. Lily took another step toward her. “What's wrong?” Lily said. “Did you get hurt?” “No.” “Are you sick?” “No, not sick.” “Are you upset?” “No, not set up. Just — you know — ” She tilted ...
Now I am vengeance. I am the eye of the storm. Nothing and no one can stand in my way. And if anyone dare try ... Be prepared to pay in blood. WARNING: This book contains explicit, taboo, dark and twisted scenes.
Murakami, S., Sanomura, Y. (1985): Creep and creep damage of copper under multi- axial states of stress. In: Sawczuk, A., Bianchi, ... Odqvist, F.K.G. (1974): Mathematical Theory of Creep and Creep Rupture. Oxford University Press ...