Each of the women in this series stepped out of the bounds of physical and social expectations to pursue her personal vision through photography. Some were fortunate to have come from wealthy families who fostered their interests. Others had to make their way by supporting themselves, or they found encouragement from other, more established photographers.Many chose to avoid or leave behind the comforts of married life at a time when marriage provided the primary source of financial security for a woman. Each of them surmounted the challenges they encountered in order to pursue their dreams. I hope their true stories inspire you, and I invite you to continue documenting and recording whatever is most important in your life through the ever-evolving tool of photography, just as these women did before you.
Norman Rockwell: Behind the Camera is the first book to explore the meticulously composed and richly detailed photographs that Norman Rockwell used to create his famous artworks. Working alongside skilled...
"During the 1920s the iconic New Woman was splashed across magazine pages and projected on the silver screen.
Hollywood has seen the number of camerawomen quadruple in the past 15 years. Women Behind the Camera is the first book to offer an in-depth look at the lives of...
... studio 20th Century–Fox by surprise, but Lucas himself, as McLean recalls: George and his wife Marsha came down to Mobile one night and they came to dinner with me, my girlfriend Julia, and Steven and his girlfriend Amy [Irving].
"Life Behind the Camera" is his vividly colorful memoir; a chronicle of the news stories of the last three decades, told from a cameraman's perspective. *Stand alongside a young gangbanger lying on the streets of Chicago, struggling to stay ...
Explores the possibility that Vermeer used the camera obscura to achieve the photographic qualities of his paintings and provides a history of the camera obscura, how it is used, and the composition of Vermeer's paintings.
In this photographic book, Pearsall sheds light on what life during war is really like—both in the middle of the action and at rest.
The executive just laughed in my face, saying, “Ken, don't you realize we could shoot a ninety-minute shot of Big Bird going around and around on a Ferris wheel, and the audience for this film wouldn't care less?” I was nonplussed.
In 2014, 27-year-old Sarah Jones was less fortunate while working as a camera assistant on Midnight Rider (Randall Miller), a biopic of Gregg Allman put on hold pending the investigation of an accident involving a train that killed her ...
Bill Brandt : Behind the Camera: Photographs 1928-1983