Amory Blaine inherited from his mother every trait, except the stray inexpressible few, that made him worth while. His father, an ineffectual, inarticulate man with a taste for Byron and a habit of drowsing over the Encyclopedia Britannica, grew wealthy at thirty through the death of two elder brothers, successful Chicago brokers, and in the first flush of feeling that the world was his, went to Bar Harbor and met Beatrice O'Hara. In consequence, Stephen Blaine handed down to posterity his height of just under six feet and his tendency to waver at crucial moments, these two abstractions appearing in his son Amory. For many years he hovered in the background of his family's life, an unassertive figure with a face half-obliterated by lifeless, silky hair, continually occupied in "taking care" of his wife, continually harassed by the idea that he didn't and couldn't understand her.But Beatrice Blaine! There was a woman! Early pictures taken on her father's estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent-an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy-showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had-her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O'Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.In her less important moments she returned to America, met Stephen Blaine and married him-this almost entirely because she was a little bit weary, a little bit sad. Her only child was carried through a tiresome season and brought into the world on a spring day in ninety-six.When Amory was five he was already a delightful companion for her. He was an auburn-haired boy, with great, handsome eyes which he would grow up to in time, a facile imaginative mind and a taste for fancy dress. From his fourth to his tenth year he did the country with his mother in her father's private car, from Coronado, where his mother became so bored that she had a nervous breakdown in a fashionable hotel, down to Mexico City, where she took a mild, almost epidemic consumption. This trouble pleased her, and later she made use of it as an intrinsic part of her atmosphere-especially after several astounding bracers.So, while more or less fortunate little rich boys were defying governesses on the beach at Newport, or being spanked or tutored or read to from "Do and Dare," or "Frank on the Mississippi," Amory was biting acquiescent bell-boys in the Waldorf, outgrowing a natural repugnance to chamber music and symphonies, and deriving a highly specialized education from his mother."Amory.""Yes, Beatrice." (Such a quaint name for his mother; she encouraged it.)"Dear, don't think of getting out of bed yet. I've always suspected that early rising in early life makes one nervous. Clothilde is having your breakfast brought up.""All right."
Perhaps the definitive novel of that "Lost Generation," it tells the story of Amory Blaine, a handsome, wealthy Princeton student who halfheartedly involves himself in literary cults, "liberal" student activities, and a series of empty ...
Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.
With a beautifully designed cover and professionally typeset manuscript, this new edition of F. Scott Fitzgerald's This Side of Paradise is a classic work of American literature reimagined for modern readers.
Reissue. First published in 1920, This Side of Paradise marks the beginning of the career of one of the greatest writers of the first half of the twentieth century.
In this debut novel, Fitzgerald masterfully illustrates the disoriented youth of the post-war generation and highlights the self-destructive effects of chasing wealth and enlightenment.
Fitzgerald's first novel in the authoritative Cambridge edition, now available as a paperback.
First published in 1920, This Side of Paradise marks the beginning of the career of one of the greatest writers of the first half of the twentieth century.
Follows the story of Amory Blaine from prep school to Princeton to the First World War, in an autobiographical coming-of-age novel capturing the rhythms of a generation and of America early in the twentieth century. Reprint.
This Side of Paradise was Fitzgerald's first novel, and its instant success made him famous. The Beautiful and Damned was Fitzgerald's second novel, and describes the beginning of what became known as 'The Jazz Age'.
R. C. Nevius, “A Note on F. Scott Fitzgerald's Monsignor Sigourney Fay and his Early Career as an Episcopalian,” Fitzgerald/Hemingway Annual 1971, pp. 105–13. 5. Leslie's letters were saved by Fitzgerald and are now at Princeton ...