Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization.
Jacobson-Widding reminds us, for example, that throughout sub-Saharan Africa a “funeral is a complete inversion of prescribed and normal social behavior. The hierarchical order, controlled behavior, and the prudish etiquette of normal ...
Sixteen line-art interpretations of this festive event find their inspiration in papel picado, a traditional Mexican folk art involving paper-cutting, and the images of Mexican cartoonist José Guadalupe Posada. Includes bilingual text.
Upon the death of her beloved Tio Urbano, who has taught her that monarch butterflies are the souls of the dead, young Lupita gains a deeper understanding of Dia de los Muertos, the Day of the Dead, as it is observed in rural Mexico.
Twelve-year-old twins Eva and Hector go to Mexico to celebrate the Day of the Dead with their great-aunt Rosa, bearing an eerie gift they purchased for her from Sebastian Cream's Junk Shop.
Presents artworks in a variety of media by artists from Mexico and other countries that commemorate the Day of the Dead and depict its chief symbol, the "calavera" or human figure with a skull for a face and often a skeleton for a body.
The people of Oaxaca, Mexico, believe the souls of the dead, the antepasados, return every year for a twenty-four-hour visit. They are welcomed into their former homes with gaily decorated...
La celebración del día de los muertos representa una de las tradiciones más características de la cultura de México. Este libro, ilustrado con casi un centenar de hermosas fotografías, se...
Very readable and beautifully illustrated, this book provides an extensive discussion of the people of Oaxaca, their way of life and their beliefs, which make the Day of the Dead logical and easily comprehensible.
Sylvia Ji's haunting, seductive and psychedelically tinged portrayals of women offer a whole new slant on femininity, and blur the line between high and lowbrow art.
It's October 31, the first of the Days of the Dead in Mexico, and Maria Molina and her family are in the graveyard to honor her baby brother Pablo, who died when he was just a few months old.