This collection focuses overtly on the internal dynamics and links between art markets in the early modern period, but presupposes that art objects - here visual images - are objects of desire. During this period, however, desire changed; a great deal more of these objects came to be made for ordinary domestic consumption, including devotional purposes, than as tokens of the magnificence, piety, cultivation or learning of individual commissioners. Probably most still were commissioned, but to satisfy tastes that, though differentiated internationally, were widely shared within one country or region. Most too were commissioned at a distance, by agents, and were moved between maker and end-point distributor by specialized traders, many of whom, though far from all, were large-scale operators. The dominant focus of contributors here therefore is on the agents of this distance trade, its mechanisms and its impacts in terms of both satisfying and subtly shaping tastes, all at a range of prices. Measurement and mappings are aspects of this traffic. Focus was sharpened by concentrating on three questions: what is currently known about the numbers of images, whether in the form of paintings, prints, small sculptures or woven textiles, that circulated in early modern Europe? Through what channels and networks were they distributed? And what were the economic, social and institutional contexts?
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...