Amorcée dés les années cinquante, l'œuvre de Gilles Deleuze a considérablement marqué la philosophie contemporaine. Ami et collaborateur de Michel Foucault ou Pierre Klossowski, il a su développer de nouveaux concepts, révolutionnant la pratique philosophique tout en s'inscrivant dans une filiation historique. Ses ouvrages comme L'Anti-Oedipe et Mille Plateaux (coécrits avec Félix Guattari) ou Logique du sens, pour ne citer que ses essais les plus diffusés, sont devenus des classiques. Sa disparition, en 1995, a laissé place à une large littérature autour de son œuvre ; ce présent volume trace une importante cartographie critique autour de Deleuze et de sa pensée. Ce livre fait partie d'une série de rééditions augmentées (préface, postface) et corrigées de L'Arc, revue incontournable du paysage intellectuel hexagonal pendant prés de trente années.
With his emphasis on creation, the future and enhancement of life, along with his crusade against 'common sense, ' Deleuze offers some of the most liberating, exhilarating ideas in twentieth-century thought introduced here
This book offers a way in to Deleuzean thought through such topics as: * 'becoming' * time and the flow of life * the ethics of thinking * 'major' and 'minor' literature * difference and repetition * desire, the image and ideology.
Other books have tried to explain Gilles Deleuze (1925-1995), one of the twentieth century's most important and elusive thinkers, in general terms.
Francois Dosse, a prominent French intellectual, examines the prolific, if improbable, relationship between two men of distinct and differing sensibilities.
What does it tell us about perceiving a world in images—indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film.
This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself.
Difference and Repetition, a brilliant exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most original works.
These are the movements that Deleuze wrests from Kantian idealism, Nietzsche's eternal return, and the nonsense of Lewis Carroll; they are the schizophrenic processes of the unconscious and the nomadic line of flight traversing history—in ...
30; originally published in French as Empirisme et subjectivite: Essai sur la nature humaine selon Hume (Paris: Presses Universitaires de France, 1953), p. 13. 74. Hume, Treatise, p. 283. 75. Ibid. 76. Ibid., p. 165. 77. Ibid., p.
However, in neither of these books nor in any other works does Deleuze articulate in a formal way the features of the logic he employs. He certainly does not use classical logic.