This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic forest, as well as important critical contexts for its discussion, and examines the three main ways in which this trope manifests: as a living, animated threat; as a traditional habitat for monsters; and as a dangerous site for human settlement. This book will appeal to students and scholars with interests in horror and the Gothic, ecohorror and the ecoGothic, environmentalism, ecocriticism, and popular culture more broadly. The accessibility of the subject of ‘The Deep Dark Woods’, coupled with increasingly mainstream interests in interactions between humanity and nature, means this work will also be of keen interest to the general public.
This book will provide the first study of how the Gothic engages with ecocritical ideas.
Alfred, Lord Tennyson. 1875. Idylls of the King and Other Poems (London: Henry S. King). Illustrated with photographs by Julia Margaret Cameron (1815–79) 22 'At the Park Gate' (1878). Oil on canvas, John Atkinson Grimshaw (1836–93).
In The Story of Kullervo, one of Tolkien's earliest stories written between 1912 and 1916 but only recently published in 2014, there are no specific references to Mirkwood but the instructions from the Blue-Robed Lady of the Forest to ...
In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other ...
The Berlifitzing and Metzengerstein rivalry establishes a rigidly hierarchical relation between the families in which the dilemma of inheritance is posed as an either/or resolution, the uncertainty of which leaves both Metzengerstein ...
1, trans. G. Bennington (chicago: University of chicago Press, 2009), p. 9. Marshall, On Behalf of the Wolves, pp. 14–15. Brett L. Walker, The Lost Wolves of Japan (Seattle: University of Washington Press, 2005), pp. 62–95.
18 A. Nestingen, Crime and Fantasy in Scandinavia: Fiction, Film and Social Change (Seattle and London: University of Washington Press, 2008), pp. 159, 167. 19 Nestingen, Crime and Fantasy in Scandinavia, p. 189.
Baltimore: Johns Hopkins University Press, 1991. Hart, Cyril. Royal Forest. Oxford: Clarendon Press, 1966. ... In Basic Writings, edited by David F. Krell. New York: Harper and Row, 1977. . Nietzsche. Edited by David F. Krell. 4 vols.
Whiteshift: Populism, Immigration, and the Future of White Majorities. Abrams Press, 2019. Keetley, Dawn. “Mike Flanagan's Mold-Centric The Haunting of Hill House.” The Streaming of Hill House: Essays on the Haunting Netflix Adaptation, ...
although what I call the Genius Loci can never be personified, we may yet feel him nearer and more potent, in some individual monument of feature of the landscape. He is immanent very often, and subduing our hearts most deeply, ...