This book examines how Shakespeare’s plays resurface in current complex TV series. Its four case studies bring together The Tempest and the science fiction-Western Westworld, King Lear and the satirical dynastic drama of Succession, Hamlet and the legal thriller Black Earth Rising, as well as Coriolanus and the political thriller Homeland. The comparative readings ask what new insights the twenty-first-century remediations may grant us into Shakespeare’s texts and, vice versa, how Shakespearean returns help us understand topical concerns negotiated in the series, such as artificial intelligence, the safeguarding of democracy, terrorism, and postcolonial justice. This study also proposes that the dramaturgical seriality typical of complex TV allows insights into the seriality Shakespeare employed in structuring his plays. Discussing a broad spectrum of adaptational constellations and establishing key characteristics of the new adaptational aggregate of serial Shakespeare, it seeks to initiate a dialogue between Shakespeare studies, adaptation studies, and TV studies.
It is important to note that both the Munich Othello and the Berlin Romeo & Julia did not merely include a few words of slang or youth language, as all German Shakespeare productions do nowadays.
Another key example of an Australian film appropriating Shakespeare is Fred Schepisi's The Eye of the Storm (2011), based on the 1973 novel of Patrick White, which engages with King Lear. For a detailed examination of this, see Victoria ...
United States, Federal Bureau of Investigation (2018), 'Stolen Art Returned', ... Wald, Christina (2020), Shakespeare's Serial Returns in Complex TV, Lund: Palgrave/Springer. Walker, Lynne (2005), 'EDINBURGH: Theatre – CHILDREN OF THE ...
Notes 1 A recent special issue of Cahiers Élisabéthains on 'Shakespeare on Screen in the Digital Era' includes work ... Christina Wald, 'The Tempest and Westworld: Returns of the Dead', in Shakespeare's Serial Returns in Complex TV, ed.
Tyrant: Shakespeare on Politics. Norton, 2018. Greig, David. Dunsinane. Faber & Faber, 2010. Hamrick, Stephen. Shakespeare and Sexuality in the Comedy of Morecambe & Wise. Palgrave, 2020. Hartl, Anja. “Appropriating the Myth of Macbeth ...
Prestige TV and the Contradictions of the “Liberal” Class Robert Samuels. on La 11. ... Neoliberalism in Prestige Television: a story of masculinity, gender, and finance. Diss. ... Shakespeare's serial returns in Complex TV.
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies.
Betty Kaklamanidou and Margaret J. Tally (eds). London/New York: Routledge, 2017, pp. 61–74. Tennenhouse , Leonard. Power on Display. The Politics of Shakespeare's Genres. London: Methuen, 1986. Wajcman , Gérard. Les séries, le monde, ...
Beyond this, the extensive use of a ravenfeathered stag in the dream sequences, reminiscent of the series' first ... Likewise, it is not until episode 6 (again halfway through the season) that we discover what happened to Norman's ...
Shakespeare and Girls' Studies posits that Shakespeare in popular culture is increasingly becoming the domain of the ... explores the impact of girl cultures and concerns on Shakespeare's afterlife in popular culture and the classroom.