Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien proposes that Beowulf was composed according to a formula. Michael Fox imagines the process that generated the poem and provides a model for reading it, extending this model to investigate formula in a half-line, a fitt, a digression, and a story-pattern or folktale, including the Old-Norse Icelandic Örvar-Odds saga. Fox also explores how J. R. R. Tolkien used the same formula to write Sellic Spell and The Hobbit. This investigation uncovers relationships between oral and literate composition, between mechanistic composition and author, and between listening and reading audiences, arguing for a contemporary relevance for Beowulf in thinking about the creative process.
Leather-Beowulf and Critics-2Nd Ed. Cb
Frankfurt and New York: Lang, 1985. Stahl, Pierre-Brice. “L'énigme d'inversion dans la littérature médiévale scandinave.” Revue de l'histoire des religions 229.3 (2016): 329–42. Stephens, Walter. Giants in Those Days: Folklore, ...
Provides information on the gods, heroes, rituals, beliefs, symbols, and stories of Norse mythology.
These are among the most outrageous, delightful and exhilarating tales in all Icelandic literature.
One of the most exciting books on Vikings for a generation, Laughing Shall I Die presents Vikings for what they were: not peaceful explorers and traders, but warriors, marauders, and storytellers.
Hervarar Saga Ok Heidreks
But for modern readers of the poem, these traditions are frustratingly obscure and confusing. This book argues that Beowulf is a dynastic drama centred on the fortunes of three great royal houses, the Scyldings, Scylfings and Hrethlings.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge.
England the Nation: Language, Literature and National Identity, 1290–1340. Oxford: Oxford University Press, 1996 van Dülmen, ... Urbana: University of Illinois Press, 2004 —— Writing Metamorphosis in the English Renaissance, 1550–1700.