This book provides an accessible account of the poet and politician Andrew Marvell’s life (1621-1678) and of the great events which found reflection in his work and in which he and his writings eventually played a part. At the same time, considerable space is afforded to reflecting deeply on the modes and meanings of Marvell’s art, redressing the balance of recent biography and criticism which has tended to dwell on the public and political aspects of this literary life at the expense of lyric invention and lyric possibility. Moving beyond the familiar terms of imitation and influence, the book aims at reconstructing an embodied history of reading and writing, acts undertaken within a series of complex physical and social environments, from the Hull Charterhouse to the coffee houses and print shops of Restoration London. Care has been taken to cover the whole of Marvell’s career, in verse and prose, even as the book places the lyric achievement at the centre of its vision.
... in thy mighty pair, And see both climing up the slippery stair Of fortunes wheel, by Lucan driven about, And the world in it, I begin to doubt: At every line some pin thereof should slack At least, if not the general engine crack.
Andrew Marvell was one of the most interesting and important poets of the seventeenth century. He was also a member of parliament, tutor to a ward of Oliver Cromwell's, a...
For in all experience , as far as I can remember , they have never been forward to save the Prince that labour . If they had , there would have been no Wickliffe , 574 no Husse , 575 no Luther376 in History .
Andrew Marvell
The aim of this book is to present through commentary and annotation, a full historical and literary context to Marvell's poetry and it does so in its comprehensive and accurately balanced scholarship.
Sidney, Sir Philip. “The Defense of Poetry.” In Sir Philip Sidney. Edited by Katherine Duncan-Jones. Oxford Authors Series. Oxford: Oxford University Press, 1989. 212–50. Smith, Nigel, ed. The Poems of Andrew Marvell. Revised edition.
This new study of Andrew Marvell offers a state-of-the-art guide to one of the most intriguing and elusive poets of the seventeenth century.
In like manner and as we have seen, in The Rehearsal Transpros'd Marvell imputed narcissism, indeed auto-eroticism, to his enemy Samuel Parker, thus opening himself to the eager counterattacks of Parker's defenders on the same ground ...
Pollard identified at Dublin a variant of Edition A, which was identical with A except for gatherings F and H. In gathering F, as Pollard showed, the inner forms are identical with A, and therefore were printed from the original forms; ...
There is, of course, a technical side to Marvell's exploration and exposition of the liminal; indeed questions of ... those slippery contests of binaries and oppo— sitions staged in pastoral dialogues and in philosophical lyrics, ...