This book presents the first complete overview in English of the prose fiction of Georges Perec, recognised since his death in 1982 as one of the most influential and innovative French writers of his generation. In particular, it explores in depth the nature of the numerous, and often astonishing, games and ludic devices which he used to generate and develop his material and to draw his readers into a playful interaction with his texts. Moreover this study situates Perec's writings as the culmination of a significant tradition in twentieth-century French writing, that of ludic fiction, whose evolution is traced from Roussel to Ricardou and the Nouveau Roman and Oulipo movements. In so doing, it seeks to answer two important questions: why did ludic writing reach such particular prominence in the 1960s and 1970s? What made its appeal for Georges Perec so special that it came to shape his whole approach to writing, and led this orphan of war and holocaust to invest literary game-playing with such a profound personal and cultural importance?
Nominally Daudet, with the Goncourts and Zola, formed a trio representing Naturalism in fiction. He adopted the watchwords of that school,andbyprivatefriendship, noless than by a common professionoffaith,wasone of them.
In: Günter Figal et al.: „Dimensionen des Hermeneutischen“. Heidegger und Gadamer. Frankfurt a.M. 2005 (= Schriftenreihe Martin-Heidegger-Gesellschaft). S. 23-35. Böni, Sonja: „Brotverwandlungen des Geistes.“ Jean Pauls Satire ‚meine ...
In the opening volume of Proust's great novel, the narrator travels backwards in time in order to tell the story of a love affair that had taken place before his own birth.
This volume explores the authors of fictional literature who contributed alongside pamphleteers, politicians, and philosophers to the establishment of this new political arena, filled with sometimes vague, yet insisting notions of happiness ...
Analyse: Roman psychologique (intime).
Contes inédits
Quand le docteur Kupérus apprend par une lettre anonyme que sa femme le trompe, il n'hésite pas : il prend un révolver, surprend les amants et les tue.
The Fourteenth Simenon Omnibus
Simenon Omnibus
The Hatter's Ghost