This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.
Axtell , “ The White Indians . ” The American literary tradition of the " captivity narrative ” from which The Searchers derives : see Kolodny , “ Among the Indians . ” On the historical background of actual captivity in the Texas ...
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... and we recognized the meadows beside the river where an extremely nervous Flora Robson, in the stiff robes and ruff ... to carry Marguerite to Dover I idly wondered what they'd done that morning with the cats, all hundred of them, ...
Gibson considered himself Australian , but actually he was born in Peekskill , New York , where his father was a railroad brakeman . His grandmother was Australian though , a former opera singer , Gibson said , so when Gibson's father ...
0 0 American director David Lynch went one step further. His debut film Eraserhead depicts Lynch's nightmarish fears about fatherhood and his disgust at the industrial city he was living in when making the film. However, Lynch does not ...
This highly original and informative guide to the origins and development of film theory will be an indispensable tool for all students.
Since The Little Book of Hollywood Cliches was first published the author has been flooded with new contributions and, along with some of his own insights, has combined the best of old and new in this expanded compendium of movie cliches, ...
These include Que la Fête commence , Le Juge et l'assassin , Lacombe Lucien , Les Camisards ( René Allio , 1972 ) , Moi Pierre Rivière ( I ... 1975 ) and Le Retour de Martin Guerre ( The Return of Martin Guerre , Daniel Vigne , 1983 ) .
Professors and students can use it as a text and/or a reference book. Essentially, what makes this volume unique from is that it brings together examples of film projects and film studies courses within the framework of research skills.
Agee was particularly perceptive about the work of his friend John Huston and recognized the artistic merit of certain B films such as The Curse of the Cat People and other movies produced by Val Lewton.