The volume discusses the world as it was known in the Medieval and Early Modern periods, focusing on projects concerned with mapping as a conceptual and artistic practice, with visual representations of space, and with destinations of real and fictive travel. Maps were often taken as straightforward, objective configurations. However, they expose deeply subjective frameworks with social, political, and economic significance. Travel narratives, whether illustrated or not, can address similar frameworks. Whereas travelled space is often adventurous, and speaking of hardship, strange encounters and danger, city portraits tell a tale of civilized life and civic pride. The book seeks to address the multiple ways in which maps and travel literature conceive of the world, communicate a 'Weltbild', depict space, and/or define knowledge. The volume challenges academic boundaries in the study of cartography by exploring the links between mapmaking and artistic practices. The contributions discuss individual mapmakers, authors of travelogues, mapmaking as an artistic practice, the relationship between travel literature and mapmaking, illustration in travel literature, and imagination in depictions of newly explored worlds.
As noted in his travel account, Fabri admired the map's grandiose beauty.20 It confirmed him in his view of the world: firstly that the encircling ocean defined the shape of 17 Cf. Marcia Kupfer, Art and Optics in the Hereford Map: An ...
The double title of that conference— “ Making Contact : Natives , Strangers , and Barbarians " -might have evoked images of ... However , the ideologically neutral noun contact served to attract , as the organizers had intended , papers ...
Covering the period from the fall of the Roman Empire through to the beginnings of the Renaissance, this is an indispensable volume which brings the complex and colourful history of the Middle Ages to life.
Visual representations on a two-dimensional map (e.g., Hereford mappamundi) and narrative imaginations, such as in Herzog Ernst and in ... See also Marcia Kupfer, Art and Optics in the Hereford Map: An English Mappa Mundi, c.
In the two centuries before Columbus, mapmaking was transformed. The World Map, 1300–1492 investigates this important, transitional period of mapmaking.
Hence a mappa mundi, radically simplified to a generalized cartographic resume of the terrestrial arena, ... in a monograph now in preparation, From Panoramic Survey to Mirror Reflection: Art and Optics in the Hereford Mappa Mundi.
William J. Kennedy, “The Economy of Invective and a Man in the Middle,” in Petrarch: A Critical Guide to the Complete Works, ed. Victoria Kirkham and Armando Maggi, 263–76 (Chicago: University of ...
The Hereford Mappa Mundi
Medieval world maps are often seen today as quaint and amusing artefacts that are hopelessly wrong. Evelyn Edson demonstrates that the medieval world view, as expressed in maps, was not...
Originally published between 1920 and 1970,The History of Civilization was a landmark in early twentieth century publishing.