The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
This volume takes a historical perspective on museums covering the Second World War and explores how these institutions came to define political contexts and cultures of public memory in Germany, across Europe, and throughout the world.
... Memory and Repetition : Reenactment as an Affirmative Critical Practice , New German Critique 137 , no . 46.2 ( 2019 ) : 178 . 14 Ibid . , 179 . 15 Debarati Sanyal , Memory and Complicity : Migrations of Holocaust Remembrance ( New York ...
This is the Dutch version of his The Concise History of the Netherlands (Cambridge: Cambridge University Press, 2017). ... 65 See for example Christopher L. Hill, National History and the World of Nations: Capital, State, ...
Because in total war, no life is left untouched... The Adventures in Time series brings the past alive for twenty-first century children. These stories are every bit as exciting as those of Harry Potter or Matilda Wormwood.
This book analyses the actions, background, connections and the eventual trials of Hungarian female perpetrators in the Second World War through the concept of invisibility.
See Brian Foss, War Paint: Art, War, State and Identity in Britain, 1939–1945 (New Haven: Yale University Press, 2007). ... “The Power and Impotence of Images,” in Memory of Fire: The War of Images and Images of War (Brighton: Brighton ...
Right Aerial View of the Crown Building, formerly known as the Heckscher Building, which first housed MoMA, and the Vanderbilt Mansion, New York, c. 1921 Far right West 53rd Street façade of the Museum of Modern Art, New York City, ...
Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers ...
This Guide will lead military personnel, their families, and other students interested in the lessons of military history through the vast richness of exhibits and artifacts in the Army Museum...
In addition to Tim, I have particularly been aided in the reading room by Gibson “Sandy” Smith, Barry Zerby, Wil Mahoney, Nathanial Patch, Jacob Haywood, and Paul Cogan. In the still and motion picture branch, Sharon Culley and Holly ...