Essay from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0 (B), University of Cambridge (English Department), course: Hauptseminar: Modernism and the City, 9 entries in the bibliography, language: English, abstract: Although we have reached the twenty-first century, a period of sophisticated technology and progress, the debate about gender is still going on; it is present in many fields of our lives. Women and homosexuals, for example, are still facing impertinent treatment. It must have been even worse in the last century, the so-called fin de siècle. The last century was concerned with reshaping the image of usual relationships and behaviour radically. Relationships were no longer clearly defined or restricted to a specific combination; also the same sex became challenging, even if this meant the disobedience of the conventional idea of sexuality. Moreover, stereotypes concerning female roles started to be violated. The preoccupation with the representation of the female in politics, such as the right to vote, was amongst the most important topics raised. This was due to changes of the people's social and cultural life, evoked through the feminist movement. This piece of work will deal with the presentation of gender in selected works of the following female writers: Virginia Woolf and her both rival and friend Katherine Mansfield, as well as Jean Rhys, the modernist writer who died only twenty-three years ago. Building up on theoretical facts, the meaning of gender in the first half of the last century as well as gender-related problems which the protagonists encounter will be elicited. Examples from the novels and short stories will be included.
Gender and Literary Studies: An Introduction
"This books argues that the problem of gender identity is vital to the large corpus of medieval Hispanic texts that discuss the nature of women"--Provided by publisher.
In this dissertation, I demonstrate that non-traditional gender expression by women has significantly developed and expanded ranges of acceptable gender performance for all people.
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer ...
La palabra y el fantasma en la cultura occidental . Valencia : Pre - Textos . Aiba , Kazuhiko et al . ( 1996 ) Manshu tairiku no hanayome wa doshite tukurareta ka . Tokyo : Akashi Shoten . Albert Robatto , Matilde ( 1981 ) Rosalía de ...
A respirer , à manger , à aimer , à dormir , à veiller , à dépenser , à rêver , à penser , à sentir , à voir le monde tête en bas , être à soi - même l'envers du monde , se garder de troubler l'endroit au cœur de ses représentations ...
Chapter One: Queering 'Zi'zek -- Chapter Two: No Future?
Unsettling Partition: Literature, Gender, Memory
In terms of my analyses, I theorize the epistemological registers of queer strategy in the political essays of Cherríe Moraga, I begin to craft a reading strategy, reading for butch and femme, in an analysis of two novels, Rubyfruit Jungle ...
This book undertakes a detailed reading of Robert Kroetsch's The Studhorse Man, examining this Canadian novel in its transnational historical and socio-cultural context.