Based on a retrospective at the Kunstmuseum Bonn, this volume combines three works of criticism with a gallery of beautiful color plates showing the course of Guston's work from 1947-79 (Guston, born 1913, died of a heart attack in 1980). The painter began as an abstract expressionist devoted to splaying self across canvas, but became better known for a subsequent figurative and cartoon-like style (it might remind one of R. Crumb) devoted to major themes such as the Fall, Flood, and the Apocalypse. The volume's essays are Christoph Schreier's "Paths to an 'Impure' Painting Style," Michael Auping's "A Disturbance in the Field," and Martin Hentschel's "From the Abstract to the Figurative." Also featured is a substantial chronology, a bibliography of primary and secondary works and a chronological list of Guston's one-person and group exhibitions. Printed in both French and English. Does not include an index. Oversize: 9.5x11.5 ". Distributed by Distributed Arts Publishers. Annotation copyrighted by Book News, Inc., Portland, OR.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei