With its unique take on fashion trends through the years, this sumptuous tribute to divas and dresses reminds us that style never goes out of fashion.
Instead of focusing on the designers that have made their marks in the past decades, this original and inspiring portrayal of style icons features the unforgettable faces and bodies that helped propel designers into the limelight over the years. Organized by timeless style sensibilities that reflect distinctive fashion identities, the book features a wide array of fashion icons, including sophisticates such as Jacqueline Kennedy Onassis and Audrey Hepburn, it-girls like Edie Sedgewick and Chlo' Sevigny, bombshells like Marylin Monroe and Brigitte Bardot, and eccentrics like Bjork and Grace Jones. Each fashion icon is given her own generous two-page spread. Beautiful photographs illustrate how the subject personifies a certain quality of style, and fascinating texts discuss her influence and unique contributions to the world of fashion. This engaging and endlessly appealing celebration of style will please fashionistas of all ages and tastes.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei