... colour here ' : A study of colour semantics on Bellona Island . Man , 9 ( n.s. ) , 213-242 . Lehmann , B. ( 1998 ) . ROT ist ... Terms in the Crowd - Colour Terms in Use . Tübingen : Gunter Narr . Zimmer , R. ( 2001 ) . Handbuch der ...
VANDERPOEL, 1902 VAN HELDEN, 1903 WARD, 1906 HARDIE, 1906 SALA, 1908 TAYLOR, 1909 TREZISE, 1910 VINALL, 1911 DORLING, ... 1991 CUMMING, 1991 DELAUNAY*, 1991 ECKSTEIN, 1991 LINTON, 1991 MELLER*, 1992 ALLEN*, 1992 BAKER, 1992 MILLER, ...
Following on from the generic experiments with colour detailed in Chapters 8 to 10, this chapter will focus more centrally on questions of film colour aesthetics, asking how colour explores and extends the range of aesthetic ...
This question has been a subject of debate since Brent Berlin and Paul Kay's Basic Color Terms: Their Universality and Evolution was published in 1969. Naming the Rainbow is the first extended study of this debate.
DtWbldg (1992), V Raabe, Susanne M. 1990. Der Wortschatz in den deutschen Schriften Thomas Murners. (: SLG 29/I-II.) Berlin 81 New York: Walter de Gruyter. RAL-Farbsystem: http://de.wikipedia.org/wiki/RAL-Farbsystem Ramat —> Giacalone ...
... word stands , it has no colour denotation whatsoever . can play their part in the grotesque presentation of Esau only if the speaker and his audience know that their colour references are quite loose , and hence they are considered to ...
Chapter 11 of handbook of optics. In: Bass, M., Decusatis, C., Enoch, J.M., Lakshminarayanan, V. (Eds.), Vision and Vision Optics (Set): 3, third ed. vol. III. Optical Society of America. This page intentionally left blank The human ...
In European history, the need for inventing a taxonomic superordinate might have arisen as a discursive response to the ... in all the main colonial European languages, both Romance and non-Romance (English, Spanish, Portuguese, French, ...
The essays collected into this volume are organized into five interrelated sections exploring discourse on the interaction between sensation, perceptions of colour and the various forms of their cultural representation.
The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume.