Beginning in the 1970s, Andy Warhol collected and stored the remains of his most unusual life in 612 brown cardboard boxes, the so-called Time Capsules. To date, only 100 of these boxes have been opened and examined. Everything Warhol deemed interesting and worth keeping--from precious objects to the most quotidian of souvenirs--was gathered together in these prosaic containers. The collecting strategy was straightforward enough: Warhol would keep an open box beside his desk, dropping in the daily flood of correspondence, magazines and newspapers, gifts, photographs, business records, collectibles, and ephemera that passed through his hands. This Time Capsule in progress would be taped shut and dated by an assistant when Warhol deemed it complete. Today, Warhol's leftovers provide us with the possibility for entering the atmosphere and curious cosmos of a life whose 15 minutes of fame may never really end, despite its physical end having long since passed. This first publication of Warhol's most personal diary will help the careful reader to reconstruct the artist's personality. Each and every item contained in Time Capsule 21 is meticulously revealed. This particular box was chosen because it contains a phenomenal amount of Warhol's art from the 1950s and 1960s, as well as common documents that have turned out to reveal facts about Warhol's life and work--that have, for instance, led to the dating of the drawing Dead Stop (1954) and the establishment of an approximate date for Warhol's first meeting with Leo Castelli. Also included are many images that Warhol used for source material. Leafing through Time Capsule 21, the reader has only to let each object take him or her on a journey into the murky past of The Factory, Studio 54, and Warhol's other haunts.
Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.
Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...
Walter L. Strauss , general ed . New York , 1978- . Baudiment 1934 F. Baudiment . F. Pallu , principal fondateur de la Société des Missions Etrangères ( 1626-1684 ) . Paris , 1934 . Baudouin 1969 Frans Baudouin .
Published in conjunction with The Philbrook Museum of Art 1998 exhibition of 42 examples of Turner's work collected from the major London galleries.
( 11.7 X 15.7 cm ) Atelier stamp in red on verso , upper right : “ Atelier Ed . Degas " Inscribed lower right : “ Schneider , Berlin " Gerstenberg collector's stamp on verso , lower center M.1979.1 PROVENANCE : Edgar Degas ( sale ...
Thomas Eakins
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
... Eliza Draper Gardiner of Providence ; Rudolph Ruzicka and Florence Wyman Ivins of New York City ; and an enlarged contingent from Provincetown : Ethel Mars , Mary Bacon Jones , Tod Lindenmuth , and Juliette S. Nichols .
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Photographs from the William Merritt Chase Archives at the Parrish Art Museum