The works in this catalogue, which include such well-known groups as Jokes and Car Hoods, illustrate the extraordinary variety of techniques and media Richard Prince uses to grapple with American myths in commercials and everyday culture.The strategies underlying the work, such as the serialisation, the sequencing and the repetition of constant and variable elements, is elaborated on by the American author Paul Black.While Kerstin Stakemeier examines the economic and political context of Prince's work in her contribution by means of selected examples, Yilmaz Dziewior explains the concept of the exhibition in Bregenz in 2014. The artist himself also has his say in the catalogue with an essay in which he formulates his artistic thinking in a most informative way.Large-format illustrations of early works and in particular the new pieces realised for Bregenz, as well as a carefully compiled biography and bibliography, offer a comprehensive insight into the American artist's work, which has influenced contemporary art for decades.English and German text.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei