What exactly is a shadow? Is it light tracing an object or the shape a body throws when it comes between a light source and a surface? Is it a metaphor for the intimate, darker side of a persons nature, the unconscious side of ones self, where daemons and secrets are kept hidden or repressed? Is it an allegorical place or state of being, somewhere between darkness and light, living and dying? Or is it a state of illusion, like Platos cave? Is it a verb that means to follow or accompany, or even to spy on? Shadows, a new collaborative series by Alexandra Grant and Keanu Reeves, explores the real and symbolic nature of the shadow as image and figure of speech. Grants photographs capture Reevess shadow at times as a silhouette and at others as traces of light as he and the camera move together. In transforming the images into color and reversing light for dark, Grant has made the shadows themselves the source of light. Reevess texts, written in tandem with the creation of the images, give voice to the multiple manifestations of the shadow: as a projected figure, a place of concealed emotion, and an invocation to shadow play.
Charles Sheeler, Paintings and Drawings
--one Thing Just Sort of Led to Another--: The Photographs of Todd Walker
Photographs
Magic Doors
Marble Tree
Photographs by Walter Pfeiffer.
Walter Pfeiffer's Scrapbooks from 1969 to 1982 are a very unique Wunderkammer. Pfeiffer's polaroids and photographs alternate with miscellaneous objects newspaper clippings, postcards, packaging, tickets and brief punning notes.
English Anxieties: Tim Brennan
Photographer Michael Thompson offers a grand, almost fantastical vision of fashion, glamour and style. A compelling yet enigmatic sequence of radiant images, plucked from his fashion spreads, portrait shoots, and personal projects.
Michel Auder: I Had Another Bird to Feed