A comprehensive history of film lighting, from its earliest origins to the heyday of Hollywood dominance - and beyond. This is a book about the art of lighting, "the relevance of pictures, and the responsibility of all those who take pictures of the world and show them". In an age of constant digital snapshots, with their mercilessly artless recording of everything around us, the award-winning director and scriptwriter Richard Blank makes a compelling case for this increasingly neglected art, and for sustaining "the awareness of its responsibility". In Film & Light, Richard Blank draws on examples from a century of pioneering filmmakers - from Griffith to Buñuel, Ophüls to Altman, Rossellini to Scorsese, Eisenstein to Wong Kar-Wai - to trace the historical development of lighting technology, analyse the changing "rules" and techniques of film lighting, and define the key terms surrounding the technical innovations of its art. The close attention he brings to bear on these modern masters - from DeMille to De Sica to Lars von Trier, Niblo to Murnau to Siodmark, via Maurice Tourneur and Fritz Lang, Charlie Chaplin and Orson Welles - brilliantly illuminates the hidden art of these past masters, as well as the troubled social context by which they each variously came to shine.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...