Stelios Faitakis masterfully depicts modern subjects in a style reminiscent of iconic paintings of the Middle Ages. The distinctive and technically outstanding visual language of the paintings of young Greek artist Stelios Faitakis skillfully combines the depiction of modern subjects with the influence of Byzantine, Russian, and Eastern iconic painting. The trademarks of his work are the intensive use of the color gold and images of halos, which were prevalent in medieval painting styles. Faitakis's perspectives are unsettling, his content provocative. Referencing numerous styles, his images juxtapose Medusa-headed giraffes with skateboarders riding waves of destruction or religious martyrs and bizarre gangsters with suffering lovers. Violence, death, and destruction lay siege to his apocalyptical landscapes. Stelios Faitakis, who currently lives in Athens and has been painting since he was a child, builds worlds out of his images just as masterfully as he breaks them down again. The richness of detail in his work can be seen in the context of Pieter Bruegel and Mexican mural art. His powerful figurative technique takes installation to a new level that shows how criticism of current social conditions can be combined with timeless spiritual intensity in innovative ways. Since receiving his degree from the Athens School of Fine Arts, Stelios Faitakis has exhibited his work in numerous successful shows around the world. Most notably, his large scale mural paintings received international accolades at the Athens Biennale in 2008 and at Art Basel Miami in 2009.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...