At first sight, the childlike figures for which Japanese artist Yoshitomo Nara is now famous seem altogether cute and appealing. On closer examination his creations are robust, angry and vulnerable creatures, standing up defiantly to the world of adults--self-confident, stubborn and sometimes violent. Nara's work is influenced by Japanese comic books but he is unique in the contemporary art scene for tapping into horror through the medium of the innocent child--this is particularly poignant in Japan's controlled society of rigid language and social structures, especially considering recent shockingly violent crimes in Japan involving children as the aggressors. Nara's work instills the viewer with a juxtaposition of the innocence of children and the evil nature of humanity, or the fall from grace. Like Kurt Cobain's music, Nara's Pop art, too, aims to lend expression to his generation's concerns, encouraging it to meet the constraints of high achievement. Self-determination, individuality, and freedom are themes that infuse Nara's voice that is clearly heard in Japan and America, where the dividing line between "low" and "high" culture is less stringently drawn than in Europe. In addition to Nara's signature paintings, sculptures, and drawings; (poems and diary entries by the artist); this 204-page book includes texts by the art critic Stephan Trescher and the Japanese cult author Banana Yoshimoto.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
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This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...