The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.
The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the...
However, this book tries to extend this notion to encompass the problems of whole human community by assimilating blacks in the general drama of life.
The work can also be used alongside the three Art in Theory anthologies published by Blackwell, as a further art theory resource.
This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries.
Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice.
Soyoung Lee, JaHyun Kim Haboush, Sunpyo Hong, Chin-Sung Chang Metropolitan Museum of Art (New York, N.Y.) ... The catalogue is made possible by The Miriam and Ira D. Wallach Foundation and The Kun-Hee Lee Fund for Korean Art. Additional ...
Throughout the history, English was changing steadily.
They reflected a growth in the standing of George as the national saint from the 1340s onward , propelled by royal ... Every single one of the sample of medieval household accounts employed for this chapter contains payments for ...
Multiple accounts of how theories of human psychology and of image-making influenced each other in a decisive period in the history of philosophy and art.
This is the first comprehensive study of one of the most important aspects of the Reformation in England: its impact on the status of the dead.