Since the revolution in 1979, Iran has developed an image culture projecting statesanctioned religious ideology in public spaces that serve as transit zones. Between 2011 and 2014, German artist and former freelance photographer for the New York Times Oliver Hartung produced a body of work on Iran comprised of images which, upon first glance, depict colorful street paraphernalia, posters, graffiti, murals, monuments, and war cemeteries, but upon a closer inspection reveal a much deeper psychology engineered to bolster the myth of the Islamic Republic. Hartungs unique view of the Middle Eastoften lost amid images of war and conflictcreates a portrait of a country still largely unknown to the West. Part of a long-term project exploring the contemporary cultures of the Middle East, Hartungs thoughtful monograph is packed with over 300 color images. Hartungs last publication with Spector was Syria Al-Assad.
本书以伊朗的“伊斯兰革命”为背景,以漫画的形式,叙述了国王被推翻、两伊战争等事件。
本书以伊朗的“伊斯兰革命”为背景,以漫画的形式,叙述了国王被推翻、两伊战争等事件。
Iran and Iraq: Building on the Stalemate
Persia, Bridge of Turquoise
Iran's Nuclear Chess: After the Deal
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Over the past 20 years, British-Iranian photographer and filmmaker Mitra Tabrizian has explored themes of alienation and the chasms between third and first worlds, taking cues from the writings of Baudrillard and Lyotard.
An exploration of Iran’s immensely rich heritage and a personal enquiry into the nature of Persian and Islamic art, it is a book rich in detail, wit and discovery. ‘A work of profound thought, imagination, passion and ambition’ Sara ...
The Battle of Qadisiyyah: The Fall of the Mighty Persian Empire
Bill, James A. and John Alden Williams. Roman Catholics and Shi'i Muslims: Prayer, Passion and Politics. Chapel Hill, NC: University of North Carolina Press, 2002. Brunner, Rainer and Ende Werner, eds. The Twelver Shia in Modern Times: ...