Since 2001, Rashid Johnson (born 1977) has risen to international attention with his powerfully visual statements on contemporary culture. Working across painting, photography, sculpture, installation, video and performance, the artist has charted a trajectory that offers fresh readings of art history, social history, psychology and literature. Rashid Johnson: New Work follows the making of the artist's largest work to date: an immersive, living eco-system where fact, fiction, history and mythology converge. Described by the artist as a "brain" that prioritizes poetic rather than logical reason, the work offers unexpected associations between objects, video and sound, that have become untethered from their cultural roots, to provide nuanced readings on clichés of class, nation and race. The first book to follow the development of Johnson's sculptural and installation works, Rashid Johnson: New Work includes an interview with the artist by Kate Fowle and an extensive essay, also by Fowle, which investigates Johnson's influences and references. The New Work series examines in depth the making of a large-scale work, focusing on methods of research and production to provide new perspectives on the practice of a mid-career or established artist whose work resonates across cultures.
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This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their...
John Wilson: A Retrospective : an Exhibition
The gala atmosphere of Harlem's night life was immortalized in such popular songs as "Stompin' at the Savoy" and "This Joint Is JLumpin'," and its Figure 4.3 Josephine Baker in Figure 4.4 Laura Wheeler Waring jazz Dancer! (Study), c.
Whitfield Lovell: All Things in Time
John Wilson b . 1922 Painter , printmaker , illustrator , educator . Born in Boston , Massachusetts . Studied at the School of the Museum of Fine Arts , Boston , 1944 ; Tufts University , Medford , 1947 ; The Fernand Leger School ...
In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms.
250 Years of Afro-American Art: An Annotated Bibliography
Catalog for the exhibition of Hank Willis Thomas' work entitled OPP: Other People's Property curated by Kalia Brooks for the Cantor Fitzgerald Gallery at Haverford College, January 25 - March 8, 2012