Indian English Writing Is A Vast Arena Today. With New Trends Emerging, New Talents Making Their Mark, New Creative And Critical Branches Sprouting In Various Directions, As Well As With The Thematic Varieties, Technical Experiments, And Linguistic Innovations, It Is Now God S Plenty. The Extraordinary Richness And Variety Of Indian Writing Today, Indeed, Pose A Challenging Task For Any Critic Or Anthologist In The Area, Since It Has Become Next To Impossible To Give Any Comprehensive View Or Idea Of This Fast-Growing Literature In Its Totality Within The Compass Of A Single Volume.Still It Remains The Critic S Responsibility As Well As Pleasure To Find The New Authors And Texts Side By Side With The Older And Already Canonized Ones. As Robert Kroetsch, The Canadian Author, Says, We Want The Critic To Find Us Out Our Indian Authors Today Also Should Legitimately Expect The Perceptive-Responsive Critic To Find Them Out. It Is Especially Needed In The Present Case Since The Indian Writers In English Are Still Engaged In The Process Of Writing From Outside The Mainstream, And, Therefore, Are In Serious Need Of The Right Critical Attention And Understanding.It Is Precisely This Situation That Has Been Kept In View In Compiling The Present Anthology Of A Bunch Of Critical Essays On A Cross-Section Of Indian Fiction, Poetry And Drama In English. Quite A Number Of The Texts Discussed In This Volume Have Been Written In Recent Years, Whereas A Few Earlier Texts M.R. Anand S, For Example Have Also Been Included In Order To Help The Reader To View The Spectrum In A Total Perspective. The Critical Range Of This Volume Includes Mulk Raj Anand, Khushwant Singh, Ruth Jhabvala, Anita Desai, Manju Kapur, Amitav Ghosh In Fiction, A.K. Ramanujan, Nissim Ezekiel, Kamala Das In Poetry, Girish Karnad S Tuglaq And Hayavadana In Drama.The Articles Included In The Present Volume Will Allow Us A Glimpse Into Some Of The Representative Authors, Texts, And Trends.Students, Teachers, Scholars, As Well As The Common Reader Will Find The Book Useful And Interesting.
The English Writings of Rabindranath Tagore: Plays, stories, essays
1 Age , Same Rage : Debates over Indian - English Writings UMA PARAMESWARAN * In my recent study of Kamala Markandaya , ' I noted that the earlier generation of Indian writers who lived outside . India tended to be called Expatriate ...
He leaves Urvasie in Menaca's hands . His world of felicity and bliss gets shattered . Though Urvasie returns to her heavenly abode , she bears the agonising difference between her love in paradise and her love for a mortal being in her ...
For instance , the Urvasie myth has a long history in Indian literatures and goes back to the Rig Veda . It has been treated variously by dramatists and poets down from the Vedas to Rabindranath . Aurobindo has drawn the inspiration ...
The colonial cousins , so to say . The first part of the essay deals with the meanings of the much— ( ab ) used term— " post - colonialism ” and its conflation with yet another postal term , “ post - modernism ” .
In the second section of The Upsori , we notice a typically Indian romantic imagery : A soft breeze from the Parijata's ... The subject matter is Indian and the Romantic imagination of the mountain is also replete with images that are ...
Prior to the journey , Karthamma herself approached Zindi and requested her to take her away from India and she even offered her money for this . ... Zindi's apartment in al - Ghazira presents diasporic life of the migrants .
Since Its Inception In 19Th Century, Indian Writing In English Has Coruscated Worldwide And The English Works Of Indian Authors Have Been Highly Appreciated Even By The People Of English-Speaking Nations.
An Evening Walk in Bengal , a fine poem of eighty - four lines is to be found in the nineth chapter of the first volume of the Journal . The Bishop was on a journey by boat from Furreedpore to Boglipore ( Bhagalpore ) and the poem being ...