El denso estudio de Martin Warnke describe, a partir de un exacto conocimiento del estado de la investigación y de las fuentes, las etapas vitales fundamentales del principal pintor español y, al describir sus obras capitales, valora en sus justos términos el trabajo del pintor, con suma solidez verbal y sin descuidar en ningún momento la cuestión que constituye el punto de partida de este estudio y que se trata de desentrañar de un modo consecuente : ¿cómo fue posible que un artista, que en su ciudad natal de Sevilla era conocido sobre todo como pintor de cocinas y escenas callejeras, fuera llamado a la cultivada corte del rey Felipe IV y permaneciera allí toda su vida? En una España sacudida por la crisis –según la tesis del libro– , dentro de los rígidos esfuerzos de ahorro y de reformas, se le había asignado a la corte una imagen nueva, casi ascética, a la que respondía bien el estilo realista de Velázquez. A su arte se le encomendó una misión educativa, que el pintor trató de cumplir con temas y medios pictóricos cambiantes
Brotton, Jerry, The Sale of the Late King's Goods, Macmillan, London, 2006 Brown, Christopher, and Hans Vlieghe, Van Dyck, Royal Academy, London, 1999 Brown, Jonathan, Collected Writings on Velázquez, Yale, New Haven, 2009 ———, In the ...
These texts, written by his contemporaries Francisco Pacheco and Antonio Palomino and newly translated for this volume, serve as our main sources of knowledge about this groundbreaking artist.
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, ...
The interest generated by the conservation and rehanging of a Velazquez picture "Portrait of a Man", led the Metropolitan Museum to consider how it might hold an exhibition of Velaquez's oeuvre, to show how his work led to this particular ...
J. Brown, Images and Ideas, 63. Sebastian de Covarrubias Hor02co, Tesoro de la lengua castellana o ... Pedro M. Pifiero Ramirez and Rogelio Reyes Cano (Seville: Excma. Diputación Provincial, 1985), also makes references to amigos ...
An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own.
Velázquez
8 VELÁZQUEZ's RESEMBLANCE TO MANET The basis for modern studies of works by Manet remains Francois Cachin et al . , Manet , Paris and New York , 1983. Differently , a fine biography by Eric Darragon connects Manet's pictorial ...
Diego Rodríguez de Silva y Velázquez (1599–1660) is widely recognized as both the supreme exponent of the Spanish Golden Age and as one of the greatest artists of all time....
The stencil “B” that appears on the Standish Pereyra would not argue against an execution in Spain, as Standish spent many years in Seville and was in close contact there with the painter Adrien Dauzats, who worked for Taylor, ...