The concept of Africa as an entity is a recent and largely artificial idea. Africa is made up of very diverse cultures, tribes, religions, traditions and geographies and it is constantly changing. In this thought provoking study of African art Bargna emphasises the need to connect individual items to ethnographic information with the aesthetic experience. It is important also, not to bring to the study of African art the trappings of the traditional artistic judgements with which Western art is viewed. The rich and varied production of the African continent is viewed and interpreted in terms of its close relationship with the world of the sacred, of myth and of religious ritual practices. The illustrations form a prime feature of the book. There are stunning photographs of masks, sculptures, textiles, ceramics and household and ritual objects which testify to the huge diversity of many different cultures all grouped under a geographical umbrella. These, as much as the original approach of the text, are a source of understanding and inspiration. AUTHOR: The author, Ivan Bargna, has travelled extensively in Europe making a special study of aesthetics and symbolism in the sculptural works of the Igbo and Yoruba ethnic groups. His father Giorgio Bargna (1934-1994) formed an important collection of African art in the course of many research trips from the 60s onwards. 113 colour & 192 b/w illustrations
45 , 47 Binger , Louis G. , Du Niger au Golfe de Guinée par le pays de Kong et le Mossi . ... EDITOR : Susan Jurmain COORDINATOR : George Ellis PROOF READERS : Pat Altman Beverly Freiburger Nancy Talbert Pat Tuttle DUPLICATION ...
Far-reaching in its scope, this book celebrates the diversity and dynamism of the contemporary African art scene across the continent today.
The Backgrounds of African Art
Each piece is characterized by its own traditions and artistic forms. The earliest works date from the beginning of the first millennium, the most recent from the early 20th century.
In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and ...
Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning.
A history of the evolving field of African art. This book examines the invention and development of African art as an art historical category. It starts with a simple question: What do we mean when we talk about African art?
This book is well researched and studied in the rich heritage of black Africa through its most distinctive form, sculpture, and covers the entire continent.
This eloquent, intimate portfolio links full-page, full-color photographs to brief, readable text to unveil the myths and mysteries of African art and the people who created it. Five recurring themes...
Dialogue with Simon Njami, Independent Curator Simon Njami is an independent curator, art critic, journalist, biographer, and awardwinning novelist. He is a founding editor of the art journal Revue Noire, established in 1989 as one of ...