Over an established career, Karen Knorrs work has developed a critical and playful dialogue with documentary photography through the use of different visual and textual strategies. Her aim is to explore everyday subjects such as family, lifestyle, culture and animal life to subsequently stage them in very unusual contexts. She uses colour to investigate issues of connoisseurship, heritage, and art through staged events in architectural interiors. The use of text and captioning appears as a device to slow down the consumption of images and to comment on received ideas about fine arts in museum culture. These strategies appear in her photographs with digital collages of animals and objects in a variety of architectural interiors. Karen Knorr began the India Song series in 2008, after a life-changing trip to India. These latest images, which draw inspiration from the Indian tradition of personifying animals in literature and art, create scenarios that are at once otherworldly and surreal.
Since her ground-breaking photographic documentary series in the early 1980s of "the great and the good" in British society, Karen Knorr continues to explore with wit and humour ideas that...
Karen Knorr
The complete series of 26 images and texts investigate the values that ally these classes to conservative aristocratic values where primogeniture (the right by law of the rstborn son to inherit his parent's estate, in preference to ...
Karen Knorr: les vertus et les délices
The work describes the 'everyday' of a privileged minority, and whilst historically, portraiture of the upper classes has tended to be flattering, the combination of portraits and quotes from the subjects recorded during their sessions, ...
Compostures - Karen Knorr: work 1981 - 1987; 30 avril - 28 juin 1987
By bringing the philosophical issues to the surface as matters not of prejudgement but as matters of concern, Karin Knorr-Cetina has developed the first really positive challenge to the philosophy of science since the days of paradigms and ...
In this new book, the resulting photographs, transformed with solarisation and infused with playful fantasy and surrealism are accompanied by lines from Brecht?s poem: 'Questions from a Worker Who Reads' (1935).
In this book, Karin Knorr Cetina compares two of the most important and intriguing epistemic cultures of our day, those in high energy physics and molecular biology.
Book on art and philosophy