The catalogue 'Divine Creatures' concludes an ambitious project that combined painting, photography and disability. Born from an idea of Adamo Antonacci, produced by Stranemani International and hosted at the Museo dell?Opera del Duomo di Firenze, the project re-enacts a selection of 10 celebrated works of sacred art that illustrate Christ?s human story. Antonacci conceived mises-en-scène of tableaux vivants, from the Incarnation in the Virgin Mary?s womb to the supper at Emmaus, interpreted by those with different abilities. These living paintings were realized with particular attention to the individual participants? specific needs and masterfully immortalized by the photographer and post-producer Leonardo Baldini?s objective of displaying them alongside their models, where one can hardly distinguish the original from the ?copy?. Antonio Natali writes in his essay, ?An exhibition of rare beauty. Not only because the photographs are beautiful, but also because the invention is beautiful.? He also underlines the project?s unique quality and its extraordinary research on equality in an essay that accompanies the reader in the technical, biblical and human analysis of the exhibition. The catalogue ends with an essay by Andrea Mannucci dedicated to the history of the body on the path of diversity: a historical background that retraces the concept of ?normal and different?, starting with Ancient Egypt and ending with the recent institutions of the Paralympics. 00Exhibition: Museo dell?Opera del Duomo, Florence, Italy (11.03.-17.04.2017).
This ground-breaking book draws on the collections of the Royal Photographic Society at the National Museum of Photography, Film and Television in Bradford, as well as other collections to provide a unique account of Emerson's position in ...
Nash and Bill Brandt , but an image like John Davies's ( 1944- ) Agecroft Power Station , Pendlebury , Salford , Greater Manchester ( 1983 ) [ 35 ] is exemplary . Whereas in a photograph like Drurridge Bay No.
Met lezingen van: Raymond Bellour, Benjamin Buchloh, Jean-FrancoisChevrier, Francesco Pellizzi, Jeff Wall.
Taking its point of departure from Latin American and Spanish photographic archives, the volume offers an alternative history of photography by focusing on the transnational dimension of technological traffic and image production at a time ...
"For the first time we worked on the same sheet of rice paper in very different techniques ... we found a way to unify the two different media: painting in the tradition of Chinese ink painting ... and photography using diaital techniques ...
"Le nu, qui est le fond nécessaire des arts du dessin, de la sculpture et de la peinture, serait, en photographie, inavouable".
... y Edward Weston se suman al grupo de extranjeros que llegan a México en la década de los veinte , tales como Carleton Beals , Bertam Wolfe , O'Higgins , Frances Toor , quienes participan en el ámbito cultural de nuestro país .
IPSO Photo: Chris Fortescue, Margaret Roberts, Marie Sierra-Hughes, Philip Watkins, Centre for Contemporary Photography, September 30 - October 29, 1994
Retrace le cheminement par lequel la photographie du nu, d'abord simple aide aux artistes, devient progressivement une forme artistique à part entière.
L'art du nu au XIXe siècle: le photographe et son modèle