In The Thousand and One Nights and Twentieth-Century Fiction, Richard van Leeuwen challenges conventional perceptions of the development of 20th-century prose by arguing that Thousand and One Nights, as an intertextual model, has been a crucial influence on authors who have contributed to shaping the main literary currents in 20th-century world literature, inspiring new forms and concepts of literature and texts.
The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple
The tales that unfold are erotic, violent, supernatural and endlessly surprising. The web of tales woven by Shahrazad were exoticised and bowdlerised in the West under the title of the Arabian Nights.
There is still the question of the division of the Arabian Nights and the title of the collection itself , noted in the ... like the bouquet of one thousand red roses with one extra , for her thousand nights of storytelling and passion ...
. . Each page is adorned with illustrations and photographs from other translations and adaptations of the tales, as well as a wonderfully detailed cascade of notes that illuminate the stories and their settings. . .
"This translation first published separately in Penguin Books as The thousand and one nights 1954 and as Aladdin and other tales 1957" --Title page verso.
. . . This book is a fantasy, a fairytale—and a brilliant reflection of and serious meditation on the choices and agonies of our life in this world.”—Ursula K. Le Guin, The Guardian “One of the major literary voices of our time .
In this book, Muhsin Mahdi, whose critical edition of the text brought so much praise, explores the complex literary history of the "Nights," bringing to fruition the search for the archetype that constituted the core of the surviving ...
Aladdin; or, the Wonderful Lamp. Retold in rhyme by Arthur Ransome. London, n.d. Aladdin; or, the Wonderful Lamp, Sinbad the Sailor; or, the Old Man of the Sea, Ali Baba; or, the Forty Thieves, ed. Mary Elizabeth Braddon.
As the only work of its kind in English covering the post-classical period, this book promises to be a unique resource for students and scholars of Arabic literature for many years to come.
THE BOOK: A narrative counterpoint between two women, two South Africas.