This critical overview of the field of film and religion distinguishes three complementary approaches: the study of film as text, the investigation of how film affect audiencs, and the consideration of film and religion as agents in cultural processes. The overview concludes with a reflection on theories and methodologies of the field and some possibilities for future development.
... and Photographic Portraits of 25 Top Screenwriters, edited by Lorian Elbert, 139–162. Los Angeles: Silman-James Press, 1999. Tolkin, Michael. The Player, The Rapture, and The New Age: Three Screenplays. New York: Grove Press, 1995.
This definitive book provides an accessible resource to this emerging field and is an indispensable guide to religion and film for students of Religion, Film Studies, and beyond.
The book will have strong appeal to students as well as general readers interested in all aspects of the inter-relationship of religion and the cinema.
Choice Outstanding Academic Title 2003 Film as Religion argues that popular films perform a religious function in our culture.
Argues that popular films perform a religious function in our culture The first edition of Film as Religion was one of the first texts to develop a framework for the analysis of the religious function of films for audiences.
Edited by leading experts in the field, The Film and Religion Reader brings together the key writings in this exciting and dynamic discipline. In over sixty interviews, essays and reviews...
We even see gothic romance and horror mixed in a classic novel like Charlotte Bronte's Jane Eyre, which features a crazy first wife in the attic and a mysteriously distant but attractive man. Women surveyed by Cherry admit to the ...
In the world of film studies, Martin Barker has seen all of this very clearly. I shall draw on his insights directly in the final section of this chapter. Even whilst his own film analyses show no explicit concern for any religious or ...
Bryan Stone engages the cinema to open a discussion of theology and the culture of our time by pairing specific Christian doctrines found in the Apostles' Creed with popular movies and videos.
The four volumes of 'Film and Religion' will present a range of scholarly articles, mainly since 1990, which offer a critical overview of the interdisciplinary field from a number of perspectives.