Gothic to Multicultural: Idioms of Imagining in American Literary Fiction, twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper's The Spy, Antarctica as world-genesis in Poe's The Narrative of Arthur Gordon Pym, the link of "The Custom House" and main text in Hawthorne's The Scarlet Letter, reflexive codings in Melville's Moby-Dickand The Confidence-Man, Henry James' Hawthorneas self-mirroring biography, and Stephen Crane's working of his Civil War episode in The Red Badge of Courage. Two composite lineages address apocalypse in African American fiction and landscape in women's authorship from Sarah Orne Jewett to Leslie Marmon Silko. There follow culture and anarchy in Henry James' The Princess Casamassima, text-into-film in Edith Wharton's The Age of Innocence, modernist stylings in Fitzgerald, Faulkner and Hemingway, and roman noirin Cornell Woolrich. The collection then turns to the limitations of protest categorization for Richard Wright and Chester Himes, autofiction in J.D. Salinger's The Catcher in the Rye, and the novel of ideas in Robert Penn Warren's late fiction. Three closing essays take up multicultural genealogy, Harlem, then the Black South, in African American fiction, and the reclamation of voice in Native American fiction.
... England's Gothic origins , see Clery and Miles 2000 , 48-98 . References Anderson , Benedict , 1983. Imagined Communities , London : Verso Baines , Paul , 1999. The House of Forgery in Eighteenth - Century Britain , Aldershot : Ashgate ...
(Antônio Tibiriçá, 1928), O Jovem Tataravô (Luis de Barros, 1936), Alameda da Saudade 113 (Carlos Ortiz, 1951), Noivas do Mal (George Dusek, 1952), Meu Destino é Pecar (Manuel Peluffo, 1952), Estranho Encontro (Walter Hugo Khouri, ...
From its onset, literary Gothic had a predilection for the foreign. The proto-Gothic text, Horace Walpole's The Castle of Otranto (1764), set the tone. The story, which was originally published as a translation by a William Marshall of ...
... the credits (he appears to be Navajo). He takes Mickey and Mallory into his hogan and shows them hospitality. Superimposed over the two white actors are the words “demon” and 230 CINEMATIC GEOGRAPHIES.
Skräckmotiv och identitetstematik i August Strindbergs författarskap (Umeå: Bokförlaget H: ström, 2008). Jolley, Elizabeth, The Well (London: Penguin Books, 1986). Jones, David J., Gothic Machine: Textualities, Pre-cinematic Media and ...
The book is unique and ground-breaking in that it constitutes the first sustained analysis which comprehensively proves that a revision is required of the critical commonplace idea in Gothic scholarship that the roots of the Gothic novel ...
Monika Elbert and Bridget M. Marshall's 2013 essay collection, TransnationalGothic), which broadens the perspective of its conceptual predecessor, the Multicultural Gothic (see for example A. Robert Lee's study of 2009, Gothic to ...
The articles in this volume discuss specific ways in which the Gothic transgresses boundaries, be they historical, spatial, national, aesthetic, generic, modal, medial, or sexual.
Essays on Canadian Culture Garry Sherbert, Annie Gérin, Sheila Petty. Gothic aesthetic because the violence that past has produced for the present is unrepresentable in its totality, and the preconditions for its appearance are subject ...
... Gothic translation was undoubtedly to provide the recently Christianised ... Gothic to the rank of other written languages; a process which might be connected with ... multicultural environment, not only in the mid-fourth century Danubian ...