Art and design research with its unique nature, its distinct practice-based research process and outcomes differs from scientific research and art and design praxis. The instutionalization of art and design research programmes in the past decade therefore poses major challenges for the parties involved. The contributions to this book address these challenges in different respects. The first part of the book is devoted to the institutionalization of art and design research in Flanders, the detrimental effects according to some authors, the opportunities it brings according to others. International contributors present an overview of the ways in which the uniqueness, the distinct research process, the exhibition of art and design research outcomes is dealt with in research evaluation practices in Australia, Norway, Sweden and Flanders. The second part of the book showcases investigave paths and subsequent findings followed and found by researchers affiliated to the Flemish Schools of Arts. The contributions address an audience of art and design research directors, coordinators and researchers and research professionals outside the field. It equally provides artists and designers with a selective overview of research activities being conducted within their domains of interest. With contributions from Karel Vanhaesebrouck, Luk Vaes, Peter De Graeve, Kathleen Coessens, Michael Schwab, Richard Blythe, Rolf Hughes, Gunnar Sivertsen, Binke van Kerckhoven, Walter Ysebaert & Birgitte Martens, Hannah Joris, Jeroen D'Hoe & Jo Van den Berghe, Aline Veiga Loureiro, Anne Pustlauk, Remco Roes, Mekhitar Garabedian, Jasper Rigole, Bart Geerts, Peter Van Goethem and Wesley Meuris.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...