In this book, the authors argue that science concepts are more than what lecturers say and write on the board--science concepts cannot be abstracted from the complex performances that take place in the classroom. Through analysis of nonverbal aspects of communication and interaction during science lectures, which take into account the body, how it is placed in and moves across space, its orientation, its movements (gestures), the aspects of the setting it marks and other resources used, the authors show how each one of the resources employed provides different types and amounts of information that need to be taken into consideration all together, as a unit, to mark and re-mark sense so that audiences may remark it. The book also provides examples that show how the integration of multiple resources provides the coherence of the ideological unit, presenting lectures as an integrated performance of knowledge in action. The book is of interest for science educators and learning scientists in general, as well as scholars interested in multimodal analysis of interaction and face-to-face communication..
In this book, the authors argue that science concepts are more than what lecturers say and write on the board—science concepts cannot be abstracted from the complex performances that take place in the classroom.
... plays like Howard Brenton's The Genius, Shelagh Stephenson's An Experiment with an Air-Pump, and Caryl Churchill's A Number raise questions about the public responsibility of the scientist and the nature of his or her pursuits.
Drama deals in conflict, but through fiction, for two very good reasons: the central act of drama is stepping into someone else's shoes, identifying with that person and empathising with a situation – and if you are locked in a real ...
This book studies, theoretically and empirically, the social process through which the credibility of expert advice is produced, challenged, and sustained.
Each chapter has its own extensive bibliography. The volume as a whole is rounded out with a synoptic introduction by the editors and an afterword by the eminent historian of nineteenth-century science Bernard Lightman.
Practices, Crosscutting Concepts, and Core Ideas National Research Council, Division of Behavioral and Social Sciences and Education, Board on Science Education, Committee on a Conceptual Framework for New K-12 Science Education ...
The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater.
Richard E. Hawkins, Luan E Lawson, Stephanie R Starr, Jeffrey Borkan, Jed D Gonzalo Susan E. Skochelak. 72. 73. 74. 75. 76. ... O'Reilly KB. EHRs:“Sloppy and paste” endures despite patient safety risk. American Medical News; February 4, ...
These four elements – value, agency, reputation, and prestige – are key concepts developed in Persona Studies in recent years. ... 5 VARP focuses on how personas are simultaneously personalized, commodified, and managed in public, ...
Enrique García Santo-Tomás. coetaneous plays35 are credited to ... Here, it is Julia's father Antonio who bids his nephew Andrés to return with a deadly poison, allegedly to kill an imprudent servant. But Andrés suspects the poison is ...