Ashes of Time, by the internationally acclaimed director Wong Kar-wai, has been considered to be one of the most complex and self-reflexive of Hong Kong films. Loosely based on the stories by renowned martial arts novelist Jin Yong, Wong Kar-wai has created a very different kind of martial arts film, which invites close and sustained study.This book presents the nature and significance of Ashes of Time, and the reasons for its being regarded as a landmark in Hong Kong cinema. Placing the film in historical and cultural context, Dissanayake discusses its vision, imagery, visual style, and narrative structure. In particular, he focuses on the themes of mourning, confession, fantasy, and kung fu movies, which enable the reader to gain a deeper and more comprehensive understanding of the film.
Examining one single, memorable, and beautiful film, but placing it in the context of other films by Wong Kar-wai and other Hong Kong directors, this book illustrates the depth, as well as the spectacle and action, that characterizes Hong ...
This volume includes interviews that appear in English for the first time, including some that appeared in Hong Kong magazines now out of print.
This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush ...
This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date.
This collection marks the most comprehensive in-depth scholarly study to date of this award winning director and serves as an essential resource for film scholars, critics, and devoted moviegoers looking for a deeper understanding of ...
The essays collected in Fate and Prognostication in the Chinese Literary Imagination deal with the issues hidden in the Chinese conception of fate as represented in literary texts and films, with a focus placed on human efforts to solve the ...
Not that Eastwood's William Munny or Wayne's Ethan Edwards ever express penitence in those respective films. Indeed, they both emerge as violent victors: Munny leaves a pile of bodies behind him in a saloon; Edwards scalps the Comanche ...
The book also places the film in the context of Wong's other work, with sidelights on its place in Hong Kong cinema as a whole. This special edition features original cover artwork by Jimmy Turrell.
Arguing against the facile culturalism that tends to dominate such scholarship, this book does full justice to Wong’s cinematic methods in a series of impressively well-informed and informative readings.” —Rey Chow, Duke University
This volume includes interviews that appear in English for the first time, including some that appeared in Hong Kong magazines now out of print.