剩餘的天空

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夜晚降下牢籠／撒下希區考克的懸疑／只有月光撥開黑暗

早起的鳥兒　衝進／日出洩密的方格內／叼起一片曙光　難道要／縫補天空的破衣裳？

郭至卿兼具商人、詩人雙重身分，亦是專業的日式俳句研究者。她習慣將看到某場景、事物的心靈感動（近乎寫生），呈現在詩句創作。她想像的納粹可以關乎春天、枯原與世紀的血；她看見的柳枝總是一生沾霧，不論聚首或揮手；她聽到祖母口中的月亮可以啟發女權，題材看似無關卻互有牽連。作者以「詩的善變」彌補「命運的善變」，手法不慍不火，解構遲來的正義與遺憾，充分展現人道關懷，傳遞溫暖正向的良善。

從郭至卿詩中發現人的想像力和修辭學的巧妙結合，讓人看到意外不同的現象面和奇幻界，使人讀來感到有新鮮刺激的快感而捨不得放棄它。──詩人．評論家向明

郭至卿不拘泥於一己小情小愛，由此書名稱《剩餘的天空》，亦可看出郭氏的生命體認，她由尋常空間的視覺看出隱於其間的時間意涵。──詩人．評論家白靈

郭至卿的《剩餘的天空》，如是耐人咀嚼，等待你去撥雲見天見空，等待你想像拼圖後的天空。──詩人．評論家蕭蕭

雖然詩裡嗅不出閨秀氣，但她對於諸如時間、戰爭、死亡的思考，也沒有男性詩人那種抽象的形上觀，卻自有她個人的特色。──詩人．評論家孟樊

很容易在她的詩句中，看見那一雙真誠看待世界的眼睛！透過文字的浸潤，荒原中靜靜抽出讓人期待的青苗，其實就是她的詩！──詩人．評論家葉莎

至卿的詩是細緻的冰雕，詩作婉轉隱約富含人生哲理，詩句簡潔意象鮮明，擅於運用陌生化技巧。──詩人．評論家季閒

【特別收錄】

〈郭至卿答客十問〉／李瑞騰教授

〈精英之惡：權力的裂罅──讀郭至卿《剩餘的天空》有感〉／朱介英

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